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II.
IN THE EMBLEMS OF FREEMASONRY.
THERE is a divine and hidden science whose origin can only be discovered by the wavering lights of tradition, whose doctrines and purposes are enveloped in sacred mysteries.
It is now degenerated into a society of gluttons and wine-bibbers, who yawn while their Masters expound to them those emblems which have excited the wonder of the greatest philosophers of the past, and who deem that the richest gem of freemasonry, is the banquet which closes the labor of the Lodge.
And yet this order can boast of some learned and intellectual men, who endeavor to find the key to the hidden language of symbols, and who appreciate at its true value the high honors which the initiated are permitted to enjoy.
In spite of the abuses with which it has been degraded, in spite of the sneers with which the ignorant revile it, this institution still possesses much that is holy and sublime.
No feelings can be compared with those which a young man feels when, attired in strange array, blind-folded, the dagger pointed to his naked left breast, he is led through the mystic labyrinth, whose intricate ways are emblematical of the toilsome wanderings of his soul.
The strains of solemn music-the mysterious words-the low knock at the portal--the sudden blaze of light--and the strange sight which await his eyes feeble and fluttering from their long imprisonment.
What awe he feels, as kneeling on his right knee, his left hand placed upon the Book of the Law, encircled by the Masters in their robes of office, and the two white wands held over his head in the form of a cross, he takes the oath of secrecy and faith, "to hail, conceal and never reveal the hidden mysteries of the fellowship" to which he is now admitted.
And what pride flushes in his heart when the secret signs and key-words are imparted to him, and when the white apron, a badge more glorious than the fabled Golden Fleece, or the Roman Eagle is tied round his waist.
Surrounded by all those signs and symbols by which the ancient nations were wont to express the power and presence of God, the Mason's Lodge resembles a scene of enchantment in the midst of this wilderness which we call the world. And those who are thus assembled together in mystic robes, seem spirits of another age, who have returned to hold their hidden meetings once more in the catacombs of the Egyptian pyramids, or in the cavern-temple sacred to Mithra, or in the subterranean labyrinths of the holy Druids.
The brethren seated in a circle, one of the Masters arises and advances to the midst. He relates to them a tradition of the origin of their craft.
"After the sun had descended down the seventh age from Adam before the flood of Noah, there was born unto Methusael, the son of Mehujael, a man called Lamach who took unto himself two wives. the name of the one was Adah, of the other Zillah. Now Adah his first wife, bare two sons--the one named Jabel and the other Jubal. Jabal was the inventor of geometry and the first who built houses of stone and timber, and Jubal was the inventor of music and harmony. Zillah, his second wife, bare Tubal Cain, the instructor of every artificer in brass and iron, and a daughter called Naamah who was the founder of the weaver's craft.
"All these had knowledge from above, that the Almighty would take vengeance for sin either by fire or by water, so great was the wickedness of the world. So they reasoned among themselves how they might preserve the knowledge of the sciences which they had found, and Jabal said that there were two different kinds of stone of such virtue that one would not burn and the other would not sink--the one called marble and the other latres. They then agreed to write all the science that they had found upon these stones.
"After the destruction of the world, these two pillars were discovered by Hermes, the son of Shem. Then the craft of masonry began to flourish, and Nimrod was one of the earliest patrons of the art. Abraham, the son of Jerah, was skilled in the seven sciences and taught the Egyptians the science of grammar. Euclid was his pupil, and instructed them in the art of making mighty walls and ditches to preserve their houses from the inundations of the Nile, and by geometry measured out the land, and divided it into partitions so that each man might ascertain his own property. And he it was who gave masonry the name of geometry.
"In his days, it came to pass that the sovereign and lords of the realm had gotten many sons unlawfully by other men's wives, insomuch that the land was grievously burdened with them. A council was called but no reasonable remedy was proposed. The king then ordered a proclamation to be made throughout his realms, that high rewards would be given to any man who would devise a proper method for maintaining the children. Euclid dispelled the difficulty. He thus addressed the king: 'My noble sovereign, if I may have order and government of these lord's sons, I will teach them the seven liberal sciences, whereby they may live honestly like gentlemen, provided that you will grant me power over them by virtue of your royal commission.'
"This request was immediately complied with, and Euclid established a Lodge of Masons."
This tale is curious as being the earliest account of an educational institution.
There are various traditions of minor interest relating to the patriarchal ages and to the wanderings of the Israelites in the wilderness.
The Freemasons claim descent from that body of builders who, some from Phœnicia, and some from India, came to Jerusalem to erect the temple of Solomon. They also assert that these masons were governed by the same laws, and united by the same ties as those of the modern order, and in the initiation of a Master-mason the following tradition is related respecting the death of the Phœnician Hiram Abiff, the master architect who directed the building of the temple:
"There were fifteen fellow-craftsmen, who finding that the temple was almost finished, and that they had not received the master's word because their time was not come, agreed to extort it from their master, the skilful Hiram Abiff, on the first opportunity, that they might pass for masters in other countries and have masters' wages. Twelve recanted and the other three determined to carry out the plot. Their names were Jubela, Jubelo, and Jubelum. These three crafts knowing that it was always the master's custom at twelve at noon, when the men were called off to refreshment, to go into the sanctum sanctorum to pray to the true and living God--they placed themselves at the three entrances to the temple, viz., at the west, south and east doors. There was no entrance in the north, because thence the sun darts no rays. Thus they waited while he made his prayer to the Lord, to have the word or grip as he came out, or his life. So Hiram came to the east door, and Jubela demanded the master's word. Hiram told him he did not receive it in such a manner but he must wait, and time and a little patience would bring him to it, for it was not in his power to deliver it except the three Grand Masters were together, viz: Solomon, King of Israel, Hiram, King of Tyre, and Hiram Abiff.
"Jubela struck him across the throat with a 24-inch gauge. He fled thence to the south door where he was accosted in the same manner by Jubelo to whom he gave a similar answer, and who gave him a blow with a square upon his left breast. Hiram reeled but recovered himself, and flew to the west door where Jubelum gave him a heavy blow upon the head with a common gavel or setting maul which proved his death.
"After this they carried him out of the west door and hid him in a heap of rubbish till it was twelve at night, when they found means to bury him in a handsome grave, six feet east and west, and six feet in height.
"When Hiram was missed, King Solomon made great inquiry after him, and not hearing anything of him supposed him to be dead. The twelve crafts that had recanted hearing the said report, and their consciences pricking them, went and informed King Solomon with white aprons and gloves as tokens of their innocence. King Solomon forthwith sent them in search of the three murderers who had absconded, and they agreed to make the pursuit in four parties, three going north, three south, three east, and three west.
"As one of these parties traveled down to the sea of Joppa, one of them sitting himself down to rest by the side of a rock, heard the following lamentations proceed from a cleft within:--
"'O that I had my throat cut across, and my tongue torn out by the root, and buried in the sands of the sea at low water a cable length from the shore, where the tide doth regularly ebb and flow twice in the course of the twenty-four hours, than that I had been concerned in the death of our master Hiram.'
And then another voice:
"'Oh! that I had my heart torn from under my naked left breast, and given to the vultures of the air as a prey, rather than I had been concerned in the death of so good a master.'
"'But oh!' cried Jubelum. I struck him harder than you both, for I killed him. Oh! that I had had my body severed in two, one part carried to the south, and the other to the north, my bowels burnt to ashes and scattered before the four winds of the earth, rather than I had been concerned in the death of our master Hiram.'
"The brother that heard these sorrowful lamentations hailed the other two, and they went into the cleft of the rock and took them and bound them, and brought them before King Solomon, when they owned what had passed, and what they had done, and did not desire to live, therefore King Solomon ordered their own sentences to be executed upon them, saying, 'They have signed their own deaths, and let it be upon them as they have said.'
"'Jubela was taken out, and his throat cut across, and his tongue torn out by the root, and buried in the sands of the sea at low water, a cable length from the shore, where the tide did regularly ebb and flow twice in the course of the twenty-four hours.
"Jubelo's heart was torn from under his naked left breast, and was given to the vultures of the air as a prey.
"Jubelum's body was severed in two, one part was carried to the north, the other to the south, his bowels were burnt to ashes and scattered to the four winds of the earth."
The real secret of Freemasonry, viz., its origin and purport, as yet remain an enigma and will probably ever remain so.
There are some authors who have fixed the source of this sacred and mysterious fountain within the oaken groves of the extinguished order of the Druids.
Who assert that when Druidism was proscribed, its priests adopted various disguises and carried their learning into various professions. Some became school-masters and taught science to the youth of Britain, as they had once done in the forest seminaries of Mona. Some fortune-tellers, the parents of the tribes of gypsies who still retain a kind of brotherhood united by oaths and secret signs, and who at one time possessed so strange an ascendancy over the minds of the vulgar.
And others who formed themselves into a community resembling, if not in their power, at least in their unanimity, that ancient body of priests who had once been the sovereigns of Britain.
At first I was inclined to believe that such was really the case, and that Freemasonry was no more than a reproduction of Druidism in the Middle Ages. On searching for materials, I met with evidence in limine which tended to confirm me in this conviction. There was a manuscript discovered in the Bodleian Library at Oxford in 1696, which was supposed to have been written about the year 1436. It purports to be an examination of one of the brotherhood by King Henry VI, and is allowed by all masonic writers to be genuine.
Its title is as follows: "Certain questions with answers to the same concerning the mystery of masonry written by King, Henry the Sixth and faithfully copied by me John Leylande, antiquarian, by command of his highness."
I give an extract modernizing the English of the original, which, though quaint, would be unintelligible to all but antiquaries:--
"What mote it be? It is the knowledge of nature, and the power of its various operations; particularly the skill of reckoning, of weights and measures, of constructing buildings and dwellings of all kinds, and the true manner of forming all things for the use of man.
"Where did it begin ?-it began with the first men of the East, who were before the first men of the West, and coming with it, it hath brought all comforts to the wild and comfortless.
"Who brought it to the West?--the Phoenicians who, being great merchants, came first from the East into Phoenicia, for the convenience of commerce, both East and West by the Red and Mediterranean Seas.
"How came it into England?--Pythagoras, a Grecian, traveled to acquire knowledge in Egypt and in Syria, and in every other land where the Phoenicians had planted masonry; and gaining admittance into all lodges of masons, he learned much, and returned and dwelt in Grecia Magna, growing and becoming mighty wise and greatly renowned. Here he formed a great lodge at Crotona, and made many masons, some of whom traveled into France, and there made many more, from whence, in process of time, the art passed into England."
This, I need not remind the reader, is a story very similar to those current respecting the first planting of Druidism in Britain.
I also discovered as I thought, a key to the tradition of Hiram Abiff, which I have just related, viz., that it was simply the story of Osiris (killed by Typhon the Evil Spirit, buried in a coffin and found by Isis) so corrupted by modern Masons.
In the continuation of the story of Hiram, it is stated that the twelve crafts on discovering his body were unable to raise it, and that King Solomon ordered a lodge of master-masons to be summoned and said, "I will go myself in person and try to raise the body by the master's grip or the lion's paw.
By means of this grip the Grand-Master Hiram was raised.
Now in a figure painted on a mummy at the Austin Fryar's of La Place des Victores, representing the death and resurrection of Osiris, is seen an exact model of the position of the master-mason as he raises Hiram.
Jubela, Jubelo, Jubelum are merely variations from the Latin word jubeo, I command. The pretended assassins are represented as demanding the master's grip and word from Hiram in an imperious manner.
A more satisfactory proof of the truth of this statement is contained in an astronomical notion of the Hindoos, whose Chrisna is the same as the Osiris of the Egyptians.
The Decans, or Elohim, are the gods of whom it is said the Almighty created the Universe. They arranged the order of the zodiac. The Elohim of the summer were gods of a benevolent disposition: they made the days long, and loaded the sun's head with topaz. While the three wretches that presided in the winter at the extreme end of the year, hid in the realms below, were, with the constellation to which they belonged, cut off from the rest of the zodiac; and as they were missing, were consequently accused of bringing Chrisna into those troubles which at last ended in his death.
Even allowing these premises to be true, it does not necessarily follow that the traditionary account of the building of Solomon's Temple by masons was also allegorical.
And indeed there is so much that is purely Hebrew in ceremonial masonry, that one is almost forced to believe that the Freemasons of the present day are really descended from a body of architects, who, like the Dionysiacks of Asia Minor, were united into a fraternal association and who erected the temple of Solomon.
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