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The Secret Teachings of All Ages
Manly Palmer Hall

Texts>The Secret Teachings of All Ages

There are no authentic portraits of Shakspere in existence. The dissimilarities the Droeshout, Chandos, Janssen, Hunt, Ashbourne, Soest, and Dunford portraits prove conclusively that the artists were unaware of Shakspere's actual features. An examination of the Droeshout portrait discloses several peculiarities. Baconian enthusiasts are convinced that the face is only a caricature, possibly the death mask of Francis Bacon. A comparison of the Droeshout Shakspere with portraits and engravings of Francis Bacon demonstrates the identity of the structure of the two faces, the difference in expression being caused by lines of shading. Not also the peculiar line running from the ear down to the chin. Does this line subtly signify that the face itself a mask, ending at the ear? Notice also that the head is not connected with the body, but is resting on the collar. Most strange of all is the coat: one-half is on backwards. In drawing the jacket, the artist has made the left arm correctly, but the right arm has the back of the shoulder to the front. Frank Woodward has noted that there are 157 letters on the title page. This is a Rosicrucian signature of first importance. The date, 1623, Plus the two letters "ON" from the word "LONDON," gives the cryptic signature of Francis Bacon, by a simple numerical cipher. By merely exchanging the 26 letters of the alphabet for numbers, 1 became A, 6 becomes F, 2 becomes B, and 3 becomes C, giving AFBC. To this is added the ON from LONDON, resulting in AFBCON, which rearranged forms F. BACON.

No reasonable doubt remains that the Masonic Order is the direct outgrowth of the secret societies of the Middle Ages, nor can it be denied that Freemasonry is permeated by the symbolism and mysticism of the ancient and mediaeval worlds. Sir Francis Bacon knew the true secret of Masonic origin and there is reason to suspect that he concealed this knowledge in cipher and cryptogram. Bacon is not to be regarded solely as a man but rather as the focal point between an invisible institution and a world which was never able to distinguish between the messenger and the message which he promulgated. This secret society, having rediscovered the lost wisdom of the ages and fearing that the knowledge might be lost again, perpetuated it in two ways: (1) by an organization (Freemasonry) to the initiates of which it revealed its wisdom in the form of symbols; (2) by embodying its arcana in the literature of the day by means of cunningly contrived ciphers and enigmas.

Evidence points to the existence of a group of wise and illustrious Fratres who assumed the responsibility of publishing and preserving for future generations the choicest of the secret books of the ancients, together with certain other documents which they themselves had prepared. That future members of their fraternity might not only identify these volumes bur also immediately note the significant passages, words, chapters, or sections therein, they created a symbolic alphabet of hieroglyphic designs. By means of a certain key and order, the discerning few were thus enabled to find that wisdom by which a man is "raised" to an illumined life.

The tremendous import of the Baconian mystery is daily becoming more apparent. Sir Francis Bacon was a link in that great chain of minds which has perpetuated the secret doctrine of antiquity from its beginning. This secret doctrine is concealed in his cryptic writings. The search for this divine wisdom is the only legitimate motive for the effort to decode his cryptograms.

Masonic research might discover much of value if it would turn its attention to certain volumes published during the sixteenth and seventeenth centuries which bear the stamp and signet of that secret society whose members first established modern Freemasonry but themselves remained as an intangible group controlling and directing the activities of the outer body. The unknown history and lost rituals of Freemasonry may be rediscovered in the symbolism and cryptograms of the Middle Ages. Freemasonry is the bright and glorious son of a mysterious and hidden father. It cannot trace its parentage because that origin is obscured by the veil of the superphysical and the mystical. The Great Folio of 1623 is a veritable treasure house of Masonic lore and symbolism, and the time is at hand when that Great Work should be accorded the consideration which is its due.

Though Christianity shattered the material organization of the pagan Mysteries, it could not destroy the knowledge of supernatural power which the pagans possessed. Therefore it is known that the Mysteries of Greece and Egypt were secretly perpetuated through the early centuries of the church, and later, by being clothed in the symbolism of Christianity, were accepted as elements of that faith. Sir Francis Bacon was one of those who had been entrusted with the perpetuation and dissemination of s the arcana of the superphysical originally in the possession of the pagan hierophants, and to attain that end either formulated the Fraternity of R.C. or was admitted into an organization already existing under that name and became one of its principal representatives.

For some reason not apparent to the uninitiated there has been a continued and consistent effort to prevent the unraveling of the Baconian skein. Whatever the power may be which continually blocks the efforts of investigators, it is as unremitting now as it was immediately following Bacon's death, and those attempting to solve the enigma still feel the weight of its resentment.

A misunderstanding world has ever persecuted those who understood the secret workings of Nature, seeking in every conceivable manner to exterminate the custodians of this divine wisdom. Sir Francis Bacon's political prestige was finally undermined and Sir Walter Ralegh met a shameful fate because their transcendental knowledge was considered dangerous.

The forging of Shakspere's handwriting; the foisting of fraudulent portraits and death masks upon a gullible public; the fabrication of spurious biographies; the mutilation of books and documents; the destruction or rendering illegible of tablets and inscriptions containing cryptographic messages, have all compounded the difficulties attendant upon the solution of the Bacon-Shakspere-Rosicrucian riddle. The Ireland forgeries deceived experts for years.

According to material available, the supreme council of the Fraternity of R.C. was composed of a certain number of individuals who had died what is known as the "philosophic death." When the time came for an initiate to enter upon his labors for the Order, he conveniently "died" under somewhat mysterious circumstances. In reality he changed his name and place of residence, and a box of rocks or a body secured for the purpose was buried in his stead. It is believed that this happened in the case of Sir Francis Bacon who, like all servants of the Mysteries, renounced all personal credit and permitted others to be considered as the authors of the documents which he wrote or inspired.

The cryptic writings of Francis Bacon constitute one of the most powerful tangible elements in the mysteries of transcendentalism and symbolic philosophy. Apparently many years must yet pass before an uncomprehending world will appreciate the transcending genius of that mysterious man who wrote the Novum Organum, who sailed his little ship far out into the unexplored sea of learning through the Pillars of Hercules, and whose ideals for a new civilization are magnificently expressed in the Utopian dream of The New Atlantis. Was Sir Francis Bacon a second Prometheus? Did his great love for the people of the world and his pity for their ignorance cause him to bring the divine fire from heaven concealed within the contents of a printed page?

What was the mysterious knowledge which Sir Walter Ralegh possessed and which was declared to be detrimental to the British government? Why was he executed when the charges against him could not be proved? Was he a member of me of those feared and hated secret societies which nearly overthrew political and religious Europe during the sixteenth and seventeenth centuries? Was Sir Walter Ralegh an important factor in the Bacon-Shakspere-Rosicrucian-Masonic enigma? By those seeking the keys to this great controversy, he seems to have been almost entirely overlooked. His contemporaries are unanimous in their praise of his remarkable intellect, and he has long been considered me of Britain's most brilliant sons.Sir Walter Ralegh--soldier, courtier, statesman, writer, poet, philosopher, and explorer--was a scintillating figure at the court of Queen Elizabeth. Upon this same man, King James--after the death of Elizabeth--heaped every indignity within his power. The cowardly James, who shuddered at the mention of weapons and cried like a child when he was crossed, was insanely jealous of the brilliant courtier. Ralegh's enemies, Playing upon the king's weakness, did not cease their relentless persecution until Ralegh had been hanged and his decapitated, quartered, and disemboweled body lay at their feet.

In all probability, the keys to the Baconian riddle will be found in classical mythology. He who understands the secret of the Seven-Rayed God will comprehend the method employed by Bacon to accomplish his monumental labor. Aliases were assumed by him in accordance with the attributes and order of the members of the planetary system. One of the least known--but most important--keys to the Baconian enigma is the Third, or 1637, Edition, published in Paris, of Les Images ou Tableaux de platte peinture des deux Philostrates sophistes grecs et les statues de Callistrate, by Blaise de Vigenere. The title page of this volume--which, as the name of the author when properly deciphered indicates, was written by or under the direction of Bacon or his secret society--is one mass of important Masonic or Rosicrucian symbols. On page 486 appears a plate entitled "Hercules Furieux," showing a gigantic figure shaking a spear, the ground before him strewn with curious emblems. In his curious work, Das Bild des Speershüttlers die Lösung des Shakespeare-Rätsels, Alfred Freund attempts to explain the Baconian symbolism in the Philostrates. Bacon he reveals as the philosophical Hercules, whom time will establish as the true "Spear-Shaker" (Shakespeare).

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