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This book is for ALL:
for every man, woman, and child. My former work has been misunderstood, and its scope limited, by my use of technical terms. It has attracted only too many dilettanti and eccentrics, weaklings seeking in "Magic" an escape from reality. I myself was first consciously drawn to the subject in this way. And it has repelled only too many scientific and practical minds, such as I most designed to influence.
But MAGICK is for ALL.
I have written this book to help the Banker, the Pugilist, the Biologist, the Poet, the Navvy, the Grocer, the Factory Girl, the Mathematician, the Stenographer, the Golfer, the Wife, the Consul --- and all the rest --- to fulfil themselves perfectly, each in his or her own proper function. Let me explain in a few words how it came about that I blazoned the word MAGICK upon the Banner that I have borne before me all my life. Before I touched my teens, I was already aware that I was THE BEAST whose number is 666. I did not understand in the least {XI} what that implied; it was a passionately ecstatic sense of identity.
In my third year at Cambridge, I devoted myself consciously to the Great Work, understanding thereby the Work of becoming a Spiritual Being, free from the constraints, accidents, and deceptions of material existence.
I found myself at a loss for a name to designate my work, just as H. P. Blavatsky some years earlier. "Theosophy", "Spiritualism", "Occultism", "Mysticism", all involved undesirable connotations.
I chose therefore the name "MAGICK" as essentially the most sublime, and actually the most discredited, of all the available terms. I swore to rehabilitate
MAGICK
to identify it with my own career; and to compel mankind to respect, love, and trust that which they scorned, hated and feared. I have kept my Word. But the time is now come for me to carry my banner into the thick of the press of human life. I must make
MAGICK
the essential factor in the life of ALL. In presenting this book to the world, I must then explain and justify my position by formulating a definition of
MAGICK
and setting forth its main principles in such a way that ALL may understand instantly that their souls, their lives, in every relation with every other human being and every circumstance, depend upon MAGICK and the right comprehension and right application thereof.
I. "DEFINITION." MAGICK is the Science and Art of causing Change to occur in conformity with Will. {XII}
(Illustration: It is my Will to inform the World of certain facts within my knowledge. I therefore take "magical weapons", pen, ink, and paper; I write "incantations" --- these sentences --- in the "magical language" i.e. that which is understood by the people I wish to instruct; I call forth "spirits", such as printers, publishers, booksellers, and so forth, and constrain them to convey my message to those people. The composition and distribution of this book is thus an act of MAGICK by which I cause changes to take place in conformity with my Will)
II. "POSTULATE." ANY required Change may be effected by the application of the proper kind and degree of force in the proper manner through the proper medium to the proper object. (Illustration: I wish to prepare an ounce of Chloride of Gold. I must take the right kind of acid, nitrohydrochloric and no other, in sufficient quantity and of adequate strength, and place it, in a vessel which will not break, leak, or corrode, in such a manner as will not produce undesirable results, with the necessary quantity of Gold: and so forth. Every Change has its own conditions. In the present state of our knowledge and power some changes are not possible in practice; we cannot cause eclipses, for instance, or transform lead into tin, or create men from mushrooms. But it is theoretically possible to cause in any object any change of which that object is capable by nature; and the conditions are covered by the above postulate.)
III. "THEOREMS." (1) Every intentional act is a Magical Act. (Illustration: See "Definition" above.) {XIII} (2) Every successful act has conformed to the postulate. (3) Every failure proves that one or more requirements of the postulate have not been fulfilled. (Illustrations: There may be failure to understand the case; as when a doctor makes a wrong diagnosis, and his treatment injures his patient. There may be failure to apply the right kind of force, as when a rustic tries to blow out an electric light. There may be failure to apply the right degree of force, as when a wrestler has his hold broken. There may be failure to apply the force in the right manner, as when one presents a cheque at the wrong window of the Bank. There may be failure to employ the correct medium, as when Leonardo da Vinci found his masterpiece fade away. The force may be applied to an unsuitable object, as when one tries to crack a stone, thinking it a nut.)
(4) The first requisite for causing any change is through qualitative and quantitative understanding of the conditions.
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